Recorded by T.S. MONK on CHANGING OF THE GUARD
Blue Note: CDP7 89050 2 / Recorded February 8-10 & 13, 1993
1st part: Trumpet, Alto Sax, C treble clef
2nd part: Alto Sax, Tenor Sax
3rd part: Tenor Sax, Baritone Sax, Trombone
Rhythm Section: Piano, Bass, Drums, Guitar
The exciting and challenging rhythmic quality of this modal composition combines with powerful dynamics to create a rewarding performance.
SOLOS: The solo section consists of four 8-bar sections that each contain only one chord. This is a good introduction to both modal jazz and to modern harmonies.
Originally recorded as 1977 A.D. by Art Blakey/In This Korner (Concord 4068)
JAMES WILLIAMS (b. 1951). After teaching at Berklee for 3 years, James joined Art Blakey's Jazz Messengers in 1977 (in a group that included
Wynton Marsalis, Bobby Watson and Billy Pierce), where he played piano on 10 separate recordings. Since 1981, he has recorded more than 20 albums as a leader and another 20 as a sideman, many of which he also produced. He records his compositions in various settings, including vocal arrangements with the Boys Choir of Harlem and his new group, Intensive Care Unit. He has taught at the Hartt conservatory, was an artist-in-residence at Harvard and Dartmouth and continues to conduct clinics across the country and in Europe. James organized a 5-piano tour, "The Key Players," and produces critically acclaimed artist tributes at New York's Merkin Concert Hall. A "musician's musician," James' compositions such as Alter Ego, Fourplay, and Old Times Sake have been recorded by many Jazz greats including Blakey, Gary Burton, Art Farmer, Tommy Flanagan, Roy Hargrove, Clifford Jordan and T.S. Monk.
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